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Empire Electric

by No-No Boy

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    Standard weight and standard color vinyl LP.

    Includes unlimited streaming of 'Empire Electric' via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Includes unlimited streaming of Empire Electric via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 10 days
    Purchasable with gift card

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1.
Table set old country style Hoist the banner and leave the light on Western treasure valley child We’re all waiting for your arrival! Your, your arrival Sunday pews, worn Buddha Bible Tend the fire and clean your rifle Sew your field issei survivor We’re all waiting for your arrival! In praise, we sing The onion kings! Till the land for miles Oh, time shall bring a reckoning Waiting for your arrival Your arrival In praise, we sing The onion kings! Till the land for miles Time shall bring her reckoning Waiting for your arrival We’re all waiting for your arrival!
2.
Nashville 04:35
Cane sugar Magnolia sweet Mama dressed like a Pinay queen Kara Oki could sing anything Like some Mockingbird in the morning She’d been touring the southern land Cut her teeth in a backing band Manila born, raised in Birmingham She cried when they played on the Opry Three flights from Mindoro, so he could Catch Dwight at that Ryman show Then Grimey booked him for a Slow Bar slow night To open up the bill Sore thumb at the honky tonks But that kid he lived for the songs And Fiddles falling into steel guitars He wore a tattoo Tennessee Singer says to the singer Hey, it looks like we’re sharing the bill So, you and I, guess we’ll always have Nashville She had played a million shows like this But she had never heard no songs like his He told her, “Baby, I’m a Dylan kid But my favorite song is “Maaf Cintaku” (look it up) He loaded out just before her set Wrapped in a cloud of cigarettes He heard a voice that you don’t forget She sang, “Meet Me In The Morning” Not 56th and Wabasha just the Donut Den over by the mall, she said Brother, sometimes I miss it all, he nodded Looking at the modded F-150s She bought him tickets to the hall of fame Sometimes it takes a tourist to reframe Gram’s jacket up there on display “Oh, sister, you live in a goldmine” Singer said to the singer As they stumbled up to Capitol Hill You and I, we will always have Nashville He worked concessions for the Sounds Kara hustled, made the music row rounds Called him soon as the deal went down “Meet me at RCA B in the morning” He gave her his greatest song They cut a record to travel on Picked up a band that could do no wrong She taught him how to sing That record bought ‘em both big backyards but The years passed, the city lost its charms The condos swallowed up the boulevards He only stuck around for her Somewhere on the endless road He decided to leave the show + 63 he changed a country code You gotta know when a goldmine is gutted Singer said to the singer No, I don’t think we’ll be sharing the bill This town is a shell of a shell I reckon I had my fill Oh we had it for a good long run But now, the bridal party’s making me ill You and I, remember when we had Nashville You and I, oh, once we had Nashville You and I, we will always have Nashville
3.
Ngày xưa ta rất dại khờ Sail away Mekong baby Cùng ra khơi Cháu con dòng Cửu Long Sail away Mekong Baby We were lovers once Ngày xưa ta rất dại khờ Cháu con dòng Cửu Long And I was younger once How your charm offensive tested And you were younger once All I own are second guesses And so it goes Fighting on the beach And so it goes Violence in our teeth Cháu con Cửu Long sông Cháu con Cửu Long sông Sail away Mekong baby… Năm mươi con có về vùng núi non Nửa bầy con năm mươi về đại dương Sail away Cháu con, Chàu con Cửu Long sông Mekong Baby
4.
Oregon Nikkei First of the forest Steam-powered sawmill town Patience and patience now Samurai plowshare Old Nagasaki The Scotsman makes funny sounds Turning the language round Learning enough for asking her out Rafts made of hardwood Wide as the river Orient girls confound Like Monarchs on frozen ground Miyo buried Andrew’s body Gresham Pioneer Tama and the Kyoto salesman Married earlier last year Pose for a photo Oh, how the years go Flanked by two grandsons proud Jewels and a modest gown Long for the islands Welcome the workers Burnish a simple crown Patience and patience now Patience and patience now Hakujin lover, baby, let’s go, oh, Trail blazed and timbers down Fifty years before the expo Western empress brought ‘em underground Miyo said I crossed a goddamn ocean for you, fool, I ain’t leaving now Bury me, Japanese cedar tree Bury me, Japanese cedar tree
5.
Jakarta 04:09
Old Dutch song, the slowest serenade Got the notes all wrong, we smiled anyway Two days drive, Bali lies before us! Get ready girl Get ready girl The strange man Geertz, behold, the Harvard poser We dropped him off, the villagers ignored him A Sunbird’s call took us to the see Get ready girl Get ready girl for me And wear your lonely feather Dressed by the sun in the window
6.
What perfect harmony still shakes me to the core Begot this cynic’s soul to rumble? It was in your voice I had no choice But to rise and ring out too When those records play All the clutter fades away And there is nothing left but you There are no labors that can reset space or time It’s beyond sacrifice or school I’ve learned a lot I’ve given up almost all I got I keep this passport I can’t use There’s no soil to kiss Those old borders don’t exist No, there is nothing left but you Ain’t there some crest of a wave, oh, way out on the sea In the back of a godhead’s ocean of ancient memories That lifts some sacred boat And it’s sailor, at least, his charming ghost Who earned your heart when it was first free? He was callous and cruel But he bought your dreams and saw them through To own the past, forgive the fool What steady rhythm still doth move me at this hour To put my pen to page and pray? For the reconcile To crack a joke and catch a smile Why keep my fingers clenched dear muse? Because, once, I died And I came out the other side And there was nothing left but you
7.
So, it’s the end of the world, once again What is it this week? Protests over this Riots over that Do you remember at the monastery When the outraged child cried And Little Monk just sweetly smiled back? Oh, how and when do I get so zen? Light the way from your small apartment Quiet days, worry within your reach Tend your garden, do not harden At the cruel and constant spinning of your mind’s demands Pro-tip for a good heart Be where your feet are now So, it’s the end once again of the world the sophomores bellyache And demonstrate Over everything but class Red suns and ash cover Half the state of California Little Monk just meditates And slowly walks the path I can’t control what I can’t control Light the way from your small apartment Quiet days, worry within your reach Tend your garden, do not harden At the cruel and constant spinning of your mind’s demands Pro-tip for a good heart Be where your feet are now So it’s the end of the world But I don’t feel so anxious this week Drawing Canvasbacks and sitting on the grass Watch as they sweep the park Trash the tents while it’s still dark Though once I lived out of a car I wouldn’t say I’m mad To have the sidewalk back
8.
Sayonara 03:21
I never knew you but I love you, kid Man, that’s the way it goes What’s more lovely than some secret hid Who doesn’t want that ghost? But oh, bloodlines, some eyes like mine A denim coat, a yellow knife Under Taipei lights You told me where I come from Told me that I’m all right I didn’t know what hapa meant You said, ‘Oh, you’re so white.’ How does your mother feel about black men? Babe, we’re all all right We caught some heat climbing up family trees Forget violin and some model minority Under Taipei lights You kissed my broken eyes You showed me that I’m all right Sa, sa, sa, sayonara A sigh, a sigh, a sigh, a sigh was all you said Sa, sa, sa, sayonara An Empire’s end An old teak bar down by the Kabuki screens You gave me a list of books and an antique Some feudal charm from century 16 A red lacquer box A white paper swan Black ink in Japanese Sigh, sigh, sigh, sayonara Sa, sa, sa, sayonara A sigh, a sigh, a sigh, a sigh was all you said Sa, sa, sa, sayonara An empire’s end
9.
Minidoka 03:39
Some kid drowned in the river Now, we’re digging a swimming hole Yesterday, I played center field I needed some half-innings alone Doubled off the Buddhist minister Knocked the tying run home Minidoka Bottom nine 2 - 0 count, a good lead off third Toss me something fast and low I dreamt I saw a model plane this morning Flying past the boundary road Caught the eye of able Grable Sliding into second to beat the throw Flurries started and I thought of the man Who got lost from block 3 in the snow Blanketed in white Freezing in the night Cursing and scared, feeling foolish, dying alone Our first baseman got married They rode an army truck out to Twin Falls Spoke their vows in a hotel suite As a busted pump organ wheezed through the walls Little sister butchering the “Wedding March” Some sweet comedy to it all Minidoka dressed in white Minidoka Snow drifts bouncing the moonlight As the evening took the afternoon Deep in the count, staying alive A thousand spectators, nothing better to do “Under diamond cut stars, horizon to horizon And a translucent milk-glass moon” Minidoka In the night “Under diamond cut stars, horizon to horizon And a translucent milk-glass moon” Minidoka dressed in white Minidoka
10.
1603 05:31
Anton Thomas Antonio Bengala Francisco Miguel Christoual Catoya Agustin Longalo Lucas Cate Agustin Sao Sailed as far from Malabar As any soul has known Peaks of snow, a jagged coast Great giants made of stone Two months through the Visayas Then three beyond the blue At California’s crest turned south The mouth of hell we drew Only for you Only for you Left the bay, the 5th of May North to San Bernabe Beneath a tent the sacrament The feast was held on Sunday Indios y Indio A gift of tiger’s skin The Latin Mass, our foreign past Forgive us for this sin Only for you Only for you I feel brand new! Only for you! San Diego, Tres Reyes, Y Santo Tomas Santa Barbara learned her name Grumetes learned the stocks The autumn course, our bearings north The winter not forgotten Luzon wood built cannon proof But like us quick to rotten Thomas turned back with the ill Diego kept the cross The New Year’s day beyond Drake’s Bay The frigata was lost North we climbed, morale declined Not even six could stand But through the storm, from legend torn The strait of Anián Only for you I feel brand new! Only for you! The floating ghost, the bouldered coast Too weakened to make land The wind so rose, the lamp oil froze We never touched the sand Oh I believe, oh, I believe! The father and the son! Claim this coast, oh holy ghost Who spoke through prophets’ tongues Only for you I feel brand new! Only for you!

about

There are seemingly infinite layers of meaning to be found in No-No Boy’s third album, Empire Electric. You can listen closely to singer-songwriter Julian Saporiti’s lyrics, which juxtapose true stories of struggle from throughout Asia and its diaspora with Saporiti’s own reckoning with intergenerational trauma. You could also let the majesty of Saporiti’s songcraft wash over you, his captivating melodies cloaking those themes in a veneer of hope and ecstasy. But the deepest storytelling happens at the sonic level, as sounds drawn from across the Eastern hemisphere mingle freely with distinctly American instrumentation – banjo and koto, lap-steel and guzheng – while electronically manipulated field recordings of rushing water, chirping birds and other natural sounds ground us in the now. Adventurous and affecting, Empire Electric offers a vision for a new kind of folk music, one that tells unorthodox stories through unorthodox means and finds new pathways through our tangled roots.

credits

released September 29, 2023

Produced, recorded, and annotated by Julian Saporiti
Co-produced by Emilia Halvorsen Saporiti and Seth Boggess
String and orchestral arrangements by Seth Boggess

Recorded at Saporiti home studio, Portland, Oregon
Mixed by Seth Boggess at Seth Boggess's home studio, Normal, Illinois
Mastered by Mike Monseur, Axis Audio, Nashville, Tennessee

Photos by Diego Javier Luis, Gregg Mizuta, and Phan Chan The/Saporiti Family

Executive producers: Maureen Loughran and John Smith
Production manager: Mary Monseur
Production assistant: Kate Harrington
Editorial assistance by James Deutsch
Cover art designed by Emilia Halvorsen Saporiti
Art direction and package design by Caroline Gut

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No-No Boy Portland, Oregon

Nashville-born, Oregon musician & scholar. New album "Empire Electric out on Smithsonian Folkways fall 2023.

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